Iceland Noir #1

IMG_0828Reykjavik is currently hosting its first festival of crime fiction, Iceland Noir, an idea conceived by the Icelandic brach of the Crime Writers Association at their inaugural meeting in June during Crimefest. To have pulled together an event of this scale in such a short period of time has been a huge achievement and the event had a great start yesterday with the opening session featuring Norweigian writer Jorn Lier Jorst.

Regular readers of this blog will know I’m a fan of Horst’s writing and my only regret is that his books have been translated from mid-series onwards so we’re missing a huge amount of backstory in relation to his main protagonist, William Wisting. Yeserday, the writer was interviewed by his Icelandic translator, Sigurdur Helgason, who questioned him about both his crime IMG_0833fiction and children’s books. Like other crime writers I’ve seen interviewed, he cites the influence of Maj Sjöwall and Per Wahlöö on his work and had originally intended to write ten books in his own series. However, having just written his ninth book, he now intends to continue with William Wisting. Until a few months ago, Horst was a serving police investigator and the in-depth knowledge he has accumulated over the course of his career was touched upon. According to the writer, he has seen an increase in both violent and organised crime with less people employed to investigate cases.

What I thought fascinating was that despite his police background, Horst cited his love of crime fiction as one of the reasons he started writing in the genre. It’d always a relief to hear a writer say he loves to read crime novels and interestingly, like me, he came to the genre via the books of Enid Blyton and those featuring Nancy Drew and the Hardy Boys.

In the evening, I attended a reading featuring writers Quentin Bates, Ann Cleeves and Jorn Lier Horst, along with other IMG_0838Icelandic authors such as Ragnar Jonasson who are yet to be translated into English. It was an enjoyable event and it was wonderful to hear the rhythm of readings in a language I can’t understand. Special mention goes to Viktor Arnar Ingolfsson who I met earlier in the day. I read and reviewed his excellent Flatey Enigma last year on the recommendation of  the late Maxine Clarke at Petrona. Meeting him has reminded me that I need to catch up with the rest of the series. Good to catch up too with fellow blogger Sue G from Novel Heights and her husband Jim.

Thanks to everyone for all their hard work in making Day 1 such as success.

Iceland Noir

Poster Iceland NoirThere are a raft of crime fiction events that take place around the UK and we’re spoilt for choice when it comes to deciding what to attend. However, I often cast envious eyes towards other crime writing events around the world, especially Bouchercon in the US and The Body in the Garden in Australia as they often include writers who don’t make it over here. For once, I’ve found it impossible to resist an event: Iceland Noir which is taking place in Reykjavik between the 21st and 24th November.

The king of Icelandic crime fiction is, of course, Arnaldur Indridason and he is the special guest of honour at the festival. Also appearing are some of the best of Iceland’s writers including Yrsa Sigurðardóttir, Ragnar Jonasson and Viktor Arnar Ingólfsson. All of these authors have had their novels reviewed on this blog with the exception of Ragnar Jonasson whose books are yet to be translated into English. I was lucky enough to read the first six chapters of his novel ‘Snowblind’ which is currently only available in Icelandic or German. Fingers crossed that he gets a British publisher soon.

Other writers attending the event include Ann Cleeves, Jorn Lier Horst and Willian Ryan. The full itinerary can be found here. There are limited places available so if you’re tempted now’s the time to book. I have already booked mine. It promises to be a special event.