Scandi Crime Fiction Round-Up

Reviews

Reading continues apace for The Petrona Award which we’ll be awarding at Crimefest in May next year. The event in Bristol is one of my favourite crime fiction conferences and I always look forward to it. I see that they have a great Nordic line-up of authors and I’m particularly looking forward to meeting K O Dahl.

I’ve also booked for next years Bouchercon in the Toronto which is very exciting. I’ve been to Canada once before. It’s a beautiful country and I’ve long wanted to visit Toronto. So I’ll be combining crime fiction and sightseeing.

dying-detectiveLeif G W Persson won the Petrona Award in 2014 for Linda, As In The Linda Murder. His books are of consistently high quality and are complemented by Neil Smith’s excellent translations. The Dying Detective is possible my favourite to date. Retired Chief of the National Crime Police, Lars Martin Johansson suffers a stroke. While he is in hospital, his consultant confides that she believes her clergyman father may have been given a clue to the identity of a young girl’s murderer. Lars, from his bedside, rounds up former colleagues and family members to follow the trail of the cold case as his health deteriorates. Superbly plotted it has Persson’s characteristic grasp of the frailties of human nature. I don’t think there’s a writer like him.

9781785761973I’ve read a couple of books by Camilla Grebe which she wrote with her sister Asa Traff. The Ice Beneath Her is the first book as a solo author and is an interesting psychological thriller. Sales assistant Emma Bohman has been abruptly dropped by her wealthy lover, the boos of a famous clothing store. When a woman is found beheaded in his house, police search for the missing tycoon while the narrative rewinds two months and shows Emma’s increasing conviction that she is under threat. The split narrative, in terms of both voice and timeline works well and the readers is pulled in various directions before the final reveal. The translation was by Elizabeth Clark Wessel.

61zk7awsfdlLiza Marklund’s series featuring journalist Annika Bengtzon appears to come to an end with The Final Word. For me, it’s the end of an era; Marklund was one of the early Scandinavian writer’s I read and I’ve particularly loved the the drama of Annika’s private life. The Final Word is, like her other books, a good balance of investigation and personal story although there is a more wistful tone to the narrative. I hope it’s not the end for Annika as she’s one of my favourite Scandi characters. I’ll keep my fingers crossed. The translation was by Neil Smith.

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Review: Liza Marklund – Without a Trace

Reviews

512YKfQrIgL._SX317_BO1,204,203,200_Swedish journalist Annika Bengtzon is one of my favourite investigators in modern crime fiction. She’s the principal reason that I read Liza Marklund’s books because, as a character, Annika is so believable. As readers we’ve been taken through a series of failed romances, childbirth, house disasters and work traumas. Annika has remained the same person throughout: tenacious and brave. It’s always a pleasure to revisit her and I’m sorry that we’re nearing the end of the series.

In Without a Trace, Annika is assigned to the story of former politician Ingemar Lerberg who has been found tortured and half-alive in his home. His wife, Nora, is missing and is being hunted by a team led by Nina Hoffman from the National Police Force. But at Kvällspressen, Annika’s paper, her editor-in-chief is being hounded over a documentary he made years earlier about a missing billionaire’s wife, Viola Söderland.

Marklund’s plots often mix politics, work troubles and family life and Without a Trace follows in this vein. She cleverly links the disorder of the victim’s family with that of Annika’s as the journalist attempts to create a home with her new boyfriend, Jimmy, and his children. Her estranged husband, Thomas, is festering after the trauma of captivity in Somalia and his bitterness toward Annika seems extreme but in keeping with his character.

There’s a fair amount of violence at the beginning of the book. The opening chapter isn’t for the faint hearted (like me) but it was great to revisit Marklund’s world. It’s a series that always manages to combine good writing with interesting plots.

Thanks to Transworld for my review copy. The translation was by Neil Smith.