Happy New Year to all Crimepieces readers. 2018 has been an excellent year for books and my selection of my six favourite crime novels of the year were published over at Crime Time with other reviewers’ choices. A really eclectic bunch and I was delighted to see Alex Reeve’s The House on Half Moon Street make it onto the Richard and Judy selection for their winter book club.
I’ve been lucky enough to have a sneak preview of some novels coming in 2019. I’ve already raved about the excellent Scrublands by Chris Hammer. I use the first chapter of this thriller with my students as an example of how to create tension early in the narrative. I’ve also got a couple of books sitting on my shelves that I can’t wait to read, notably William Shaw’s Deadland.
Books are often advertised as containing a ‘killer twist you won’t see coming’ which is often untrue. The only book I can remember being genuinely shocked by the change in direction of the plot was Peter Swanson’s The Kind Worth Killing. I’m now adding Alex Michaelides’ The Silent Patient to my list. Alicia, a well-known artist, shoots her husband dead and from then onwards refuses to speak. Psychotherapist Leo Faber becomes fascinated by Alicia’s case and obtains a job in her psychiatric hospital to try to unravel why Alicia refuses to talk about her crime. To say any more about the plot would be to give too much away but I found narrative utterly compelling. You can tell Michaelides has spent time working in a psychiatric unit given the level of detail involved and the ending took my breath away.
I read CJ Tudor’s The Taking of Annie Thorne just before Christmas and it’s an excellent creepy read. Joe Thorne has arrived back in his Nottinghamshire home town with a dodgy CV and an uncertain commitment to his teaching post. With a family tragedy in the past, he’s been sent an anonymous note saying that a horror he thought long forgotten has returned. I loved the regional setting and Tudor’s take on the familiar ‘pit’ theme in horror literature.
It can be hard to create a genuinely original character in a crime novel but Ilaria Tuti has managed it with Inspector Teresa Battaglia in Flowers Over the Inferno. Despite inspiring awe in her team, Battaglia is suffering from occasional bouts of memory loss. In a village in the Italian Alps the body of a naked man is found with his eyes gouged out. It becomes clear that there are more victims and the children of the village may know more than they’re letting on. I’m delighted that this well-written crime novel is going to be the first book in a trilogy because I loved Teresa Battaglia who makes a compelling but vulnerable protagonist. The translation is by Ekin Oklap.
Those are my reads to look out for in early 2019. Are there any books you’re eagerly awaiting?