I’ve been reading some interesting Scandinavian crime novels over the last few months, saving my reviews for a round-up post. There’s a feeling of nordic noir going through a readjustment at the moment. Long running series are coming to an end and, of the new authors being published, there’s an emphasis on psychological thrillers over the traditional police procedural. I’m sorry to see that some of my favourite authors haven’t got a book out this year – Leif GW Persson and Hans Olav Lahlum for example.
Caroline Eriksson has only recently been translated into English. The Watcher, the first book of hers I’ve read, has a Rear Window feel to the plot. A newly separated author takes a rented apartment and obsesses over the family living opposite her, becoming convinced that the woman intends to kill her husband. As she starts to write a new book, her own life and that of the woman opposite become entwined. I read The Watcher in virtually one sitting and it made for compulsive reading. The relationships were satisfyingly complex and, despite spotting the twist fairly soon in the narrative, it was a compelling read. The translation is by Tara F Chace.
Killed is the final book in Thomas Enger’s Henning Juul series where Juul finally uncovers the events leading up to the fire which left him scarred and which killed his young son. There’s a large cast of characters, hugely satisfying to fans of Enger’s series although which might prove difficult for someone picking this up as a standalone. Killed is, however, a poignant end to the Juul books which have proved to be intelligent and satisfying thrillers. The translation is by Kari Dickson.
Quentin Bates is a writer who spent a decade in Iceland and knows the country well. His series featuring Officer Gunnhildur is always a delight to read. Rather than relying on descriptive passages of the Icelandic landscape, his books are interesting thrillers with a political edge. In Cold Breath, Gunna is in a safe house with the high-profile guest of a prominent politician and her loyalties are torn when details of his life emerge. Bates is excellent at creating tension in a modern-day Reykjavik setting.
Gunnar Staalesen is one of my favourite Norwegian writers and Big Sister doesn’t disappoint. His private investigator, Varg Veum, is asked by a woman who reveals herself to be his half-sister, to discover the whereabouts of a relative, Emma. Veum discovers that the girl has been contact with her estranged father and an act of violence in Emma’s past may hold a clue to her disappearance. Excellently plotted and very well translated by Don Bartlett, this is up with Staalesen’s best.