I’m off to Aberdeen at the end of this month for Granite Noir, Aberdeen’s celebration of crime fiction. Last year’s event was great fun and I’m looking forward to visiting the granite city again. If you’re nearby, I’ll be appearing alongside Jorn Lier Horst and Mari Hannah on the May the (Police) Force be with You on Friday evening. It would be lovely to see you if you can make it.
I’m also moderating four panels which I’ve been reading for over the last few weeks. It’s always great to see what others are writing and, as usual, it’s heartening to see the diversity of stories which make up the crime fiction genre. Because there are a fair few authors involved, I’ve split my reading over two blog posts, the second of which will come next week.
My moderating begins on Friday lunchtime with the Breathtaking Thrillers panel with Lilja Sigurdardottir and Catherine Ryan Howard. I reviewed Lilja’s English language debut, Snare, in a previous post in a and it’ll be fascinating to dig deeper into the world of her Reykjavik thriller.
Appearing alongside her is Catherine Ryan Howard who I met in a recent trip to Dublin. It was a fascinating city to visit not least as I’d just read Howard’s latestbook, The Liar’s Girl. In this tightly-plotted thriller, Alison Smith, after a decade living in the Netherlands returns to Ireland to face her former boyfriend who is serving a sentence for multiple murders. Following a recent copy-cat killing, he states he has some news on the murderer that he is only prepared to reveal to her. The Liar’s Girl is very well written and unsettling thriller set around Dublin’s canals which explores the assumptions we make about those accused of heinous crimes.
On the Saturday, I’ll be interviewing Lucy Atkins, Sarah Stovell and Louise Hutcheseon about their books. It’s rare in a panel that themes intertwine seamlessly but all three authors have a written books that explore the world of authors and the truthfulness of particular narratives. In The Night Visitor, professor Olivia Sweetman publishes a bestseller, a book based on a Victorian diary found by Vivian Tester in a house where she is working as a housekeeper. Vivian’s role has been kept hidden from Olivia’s publisher and readers, but has created a dependent relationship that Olivia is determined to break. It’s a fascinating, page-turning read with the narrative alternating between London, Sussex and the South of France.
Exquisite by Sarah Stovell also documents a destructive relationship, here between bestselling author Bo Luxton and Alice Dark, an aspiring writer recovering from a fractured childhood. The women are drawn together after meeting on a writing retreat led by Bo but soon their views on what their relationship entails begin to diverge wildly. The unsettling Exquisite cleverly portrays an intoxicating relationship where secrets and power struggles hint at darker forces at work.
The Paper Cell by Louise Hutcheson is a short, exquisitely written book about the deception that Lewis Carson undertakes when, as a publishing assistant, he steals a young woman’s novel after she is found strangled on Peckham Rye. Hutcheson is excellent at deceiving the reader and it’s an intelligent and satisfying book.
I hope to see some readers of Crimepices at Granite Noir. Do come up and say hello if you’re there. I’ll be posting lots of pictures on my Facebook page.